The new film version about Vanity Fair of the
classic novel by William Makepeace Thackeray introduces a new
audience to the beautiful, funny, passionate, and calculating
Becky.With these words, William Makepeace Thackeray closes about
Vanity Fair, and it was these lines that in particular inspired
director Mira Nair.
She states, "The reasons I wanted to make
Vanity Fair are Thackeray's essential, and in my view spiritual,
questions - which of us has dreams, and when we achieve them,
are happy? What is contentment? What is aspiration? What is
the vanity of life? The director brings her own interpretation
about Vanity Fair to the classic material. Her Indian childhood
complements Thackeray's own (as the Englishman had spent his
early childhood in Calcutta).
This fortuitous connection is at once creative
and highly personal, and the new film version meditates on how
much of domestic imperial England was informed by the cultures
across the sea. Day developed the picture about Vanity Fair
while at Granada Film and continued nurturing it once she became
an independent producer.
Similarly, Donna Gigliotti, who had
been working with Day on the project about Vanity Fair since
1999 while president of production at USA Films (where she had
worked with Nair on Monsoon Wedding), set up her own production
company, Tempesta Films, and stood by the project.